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传说中的文案控
黄莺莺踏入国语歌坛的处女作“云河”“我心深处”两张专辑，以当时的录音设备而言，歌手必须以一气呵成的方式，录完一首歌，因此在聆听此张专辑时，仿佛是欣赏到黄莺莺洒脱自如的一场声音即兴演出，黄莺莺的第一次是那么的自然、纯净，就这样的当她唱出第一首处女座“云河”即以穿透力十足的歌声与独特诠释国语歌曲的演唱方式，赢得了所有歌迷的心。
巨星的最初
向往声音的岁月
一如许多70年代的少男少女般，黄莺莺从小即兴歌唱有着极亲密的关系，未拜师学过个唱，启蒙老师就是西洋音乐。学美术的黄莺莺在决定丢下画笔，执起麦克风时，还会发生过家庭**，最后严肃的父亲终被女儿的执着而融化。但唯一的条件是既然投入，就要努力用心的闯出一番天地。就由加入雷鸟合唱团的那一刻开始，黄莺莺历经了一段辛苦艰困的演唱生涯，当生活最困境时，好强的黄莺莺一再的告诉自己：要坚强下去，不能让家人担心！身为长女的黄莺莺从小到大确实不会让父母亲担心，唯独选择了歌唱，因此她必须更坚强的走下去。
一曲“云河”开启了生命中的另一道光芒
就在黄莺莺每天忙着穿梭在各大夜总会演唱时，在偶然的机会中，她那穿透力十足的歌声，震撼了国语流行歌坛的鬼才大师刘家昌。当时刘家昌正为自己的新作“云河”电影主题曲苦于找不到适合的主唱人选，当听到黄莺莺是（试）唱第一句时，刘家昌随即马上说：就是你了！因此黄莺莺可说是刘大师试遍了16位当时国语歌坛知名歌星后，唯一中选的一名新歌手。就在大家正为自己高兴时，黄莺莺却犹豫了！因为西洋歌曲是自己的最爱，从未想过要做一名国语流行音乐的歌手，但在好友的一句话：喜欢唱歌，就应尝试不同的歌曲，让更多人能欣赏你的歌声。就这样的一曲“云河”使黄莺莺一鸣惊人的在民国63年，赢得了第一张白金唱片，同年随即再推出同名电影主题曲专辑“我心深处”同样也获白金唱片，为当时国语歌坛最具潜力的新人。就在大家陶醉于黄莺莺独特的歌声时，黄莺莺找到了人生的另一座花园“婚姻”，与恩爱的夫婿共赴新加坡开始了生命中的另一页耀眼的人生，不同的时代黄莺莺以不同的曲风，呈现出不同的风格，带给歌迷无止尽的想象空间。她是音乐魔术家，更是大家心目中的新音乐女王—TRACY黄莺莺。
侧标
爱的泪珠 裹晶莹隽永的婉约与娇媚
黄莺莺 经典专辑极品音色复刻
细腻又随的歌声 蕴涵梦幻般无尽的柔美
五金飘渺的嗓音 弥漫氤氲般浪漫的韵味
封底
黄莺莺/爱的泪珠（四海唱片1979）
当独特迷离空灵的嗓音，与专门创造经典旋律的音乐巨匠初次相遇，给了音乐饕客在华语流行歌坛上不小的惊奇。黄莺莺与王福龄在1979年，所共同打造的这场美丽《爱的泪珠》，丝缕不绝、蜿蜒不断的弦乐，余音绕梁、宛转悠扬的歌声，交织在空气中缱绻缠绵，进入新天后，便魂萦梦系从此无法散去。 黄莺莺天籁般的美声，有着古典东方的婉约特质，而知名作曲家王福龄，除制作过许多黄梅调电影的歌曲及配乐外，又曾创作出《今宵多珍重》、《不了情》等经典的华语流行作品，在封闭多年后，复出倾力制作本张专辑，并同时发表《爱的泪珠》、《心中梦中》、《叫我怎么办》、《雾茫茫》四首新歌，将黄莺莺的音色发挥的淋漓尽致，用流行的色泽包覆起东方式的典雅，展现出极致迷人的风华。善写中国风味，默契十足的夫妻档谭健常和小轩，在专辑中也有《爱像一阵春风》、《梦里的呼唤》等多首创作发表，让整张专辑的风格颇为整齐，浪漫氛围一气呵成。
音乐大师亲自操刀，雕琢更加完美的黄莺莺，让歌迷再次重新认识，更甚使之陷入无以复加的迷恋地步，此张专辑推出后会像热烈，当年也曾特别制作电视专辑。黄莺莺空幻的歌声，加上低调神秘的习性，总给人许多想象空间，直觉是件披上薄雾轻纱的美学极品，不管朦胧与真实中，都是不俗的绝艳，在经伟大的音乐舵手，引领进入华语歌坛经典的殿堂，似让歌迷更可尽情吸纳在碧落黄泉间，取之不竭不尽的温柔与绝美。
撰文：谢春生 2010复刻版
制作发行：四海唱片出版社股份有限公司
市场行销：喜马拉雅音乐事业股份有限公司
监制：飞跃艺人工作室 简丰淦
母带处理：非要录音
涉及：麦思 洪孝宗
企宣统筹：简丰淦
行政助理：翁玉珊
特别协力：优秀厂整合行销传播有限公司
特别感谢：谢春生友谊文案提供
又以照片提供：新加坡 庆忠、Terence Lee James、Wei Wei
爱的泪珠 裹晶莹隽永的婉约与娇媚
黄莺莺 经典专辑极品音色复刻
细腻又随的歌声 蕴涵梦幻般无尽的柔美
五金飘渺的嗓音 弥漫氤氲般浪漫的韵味
封底
黄莺莺/爱的泪珠（四海唱片1979）
当独特迷离空灵的嗓音，与专门创造经典旋律的音乐巨匠初次相遇，给了音乐饕客在华语流行歌坛上不小的惊奇。黄莺莺与王福龄在1979年，所共同打造的这场美丽《爱的泪珠》，丝缕不绝、蜿蜒不断的弦乐，余音绕梁、宛转悠扬的歌声，交织在空气中缱绻缠绵，进入新天后，便魂萦梦系从此无法散去。 黄莺莺天籁般的美声，有着古典东方的婉约特质，而知名作曲家王福龄，除制作过许多黄梅调电影的歌曲及配乐外，又曾创作出《今宵多珍重》、《不了情》等经典的华语流行作品，在封闭多年后，复出倾力制作本张专辑，并同时发表《爱的泪珠》、《心中梦中》、《叫我怎么办》、《雾茫茫》四首新歌，将黄莺莺的音色发挥的淋漓尽致，用流行的色泽包覆起东方式的典雅，展现出极致迷人的风华。善写中国风味，默契十足的夫妻档谭健常和小轩，在专辑中也有《爱像一阵春风》、《梦里的呼唤》等多首创作发表，让整张专辑的风格颇为整齐，浪漫氛围一气呵成。
音乐大师亲自操刀，雕琢更加完美的黄莺莺，让歌迷再次重新认识，更甚使之陷入无以复加的迷恋地步，此张专辑推出后会像热烈，当年也曾特别制作电视专辑。黄莺莺空幻的歌声，加上低调神秘的习性，总给人许多想象空间，直觉是件披上薄雾轻纱的美学极品，不管朦胧与真实中，都是不俗的绝艳，在经伟大的音乐舵手，引领进入华语歌坛经典的殿堂，似让歌迷更可尽情吸纳在碧落黄泉间，取之不竭不尽的温柔与绝美。
撰文：谢春生 2010复刻版
制作发行：四海唱片出版社股份有限公司
市场行销：喜马拉雅音乐事业股份有限公司
监制：飞跃艺人工作室 简丰淦
母带处理：非要录音
涉及：麦思 洪孝宗
企宣统筹：简丰淦
行政助理：翁玉珊
特别协力：优秀厂整合行销传播有限公司
特别感谢：谢春生友谊文案提供
又以照片提供：新加坡 庆忠、Terence Lee James、Wei Wei
1983年 second sight
After the overwhelming success of Tracy Huang's first album, "Changes" throughout the region, a follow-up album had become absolutely necessary. Though "Changes" was totally different from her previous releases, her second album "Second Sight" had put even more pressure on me, but sticking with the sweet ballad tradition was not something that Tracy and I wanted to pursue there fore, we decided to take a daring step by injecting a livelier feel to this second album. For the first time in Tracy Huang's albums it contained more upbeat songs than ballads.
This new direction allowed Tracy to showcase the other side of her singing talent and it was also timely to break her away from the usual sweet and innocent mold, to a more dynamic act. Selection of materials became even more critical as it needed to be lively & fast-paced but yet suit her vocal style. "Moonlight Shadow" by Mike Oldfield, my first choice had proven to be very appropriate and the Elvis Presley classic "Teddy Bear" was given a brand new treatment. A couple of dance numbers such as "Down To The Party" and "Dong Dikki Dikki Dong" were also included.
When the album was released, the public response was mixed because some of the fans were not used to the "new" Trafcy sound, but for me there were no regrets for the change of music direction. With Tracy's superstar status, her music needed to change withtime, and she totally agreed.
"Second Sight" might not be as accessible as her previous album but it had displayed her versatility as an artiste plus the fact that the album was of great production quality, thanks to the great musicians who contributed and excellent engineers!
With the reissue in CD now, it brings back the memories of how we took that bold step in the 80's and we can still claim pride for the daring step
Eric Yeo
Producer
Produced by Eric Yeo
Engineered by Johnny Herbert and Eddie Seet
Re-mixed by Johnny Herbert
Arranged by Robert Beckinsale
Studio: The Lion Studio Singapore
Handtinting by Jurong Design Centre
Tracy's Outfit: lssey Miyake Shop(Singapore)
Hairstyle: Casey
Photopraghy:Chuang Lee Jen
Musicians:
Keyboards: Spencer Chan
Guitars: Robert BEckinsale/Eddie Marzuki
Bass: Ramli Shariff
Drums: Tony Zee
Percussion: Osman Ibrahim
Strings:Willy Ong String Group
Universal Music Singapore
Re-issue project
Project co-ordination by
Lim Teck Kheng and Linda Na for Universal Music Pte Ltd.
www.getmusic.com.sg
Artwork by Fresh Produce Private Limited.
This project would not have been possible without the
kind assistance of Eric Yeo, Dr Christian Chia and Luis Goh.
The re-issue has been reproduced to be as faithful to the
original LP as possible from artwork to the music re-mastering.
After the overwhelming success of Tracy Huang's first album, "Changes" throughout the region, a follow-up album had become absolutely necessary. Though "Changes" was totally different from her previous releases, her second album "Second Sight" had put even more pressure on me, but sticking with the sweet ballad tradition was not something that Tracy and I wanted to pursue there fore, we decided to take a daring step by injecting a livelier feel to this second album. For the first time in Tracy Huang's albums it contained more upbeat songs than ballads.
This new direction allowed Tracy to showcase the other side of her singing talent and it was also timely to break her away from the usual sweet and innocent mold, to a more dynamic act. Selection of materials became even more critical as it needed to be lively & fast-paced but yet suit her vocal style. "Moonlight Shadow" by Mike Oldfield, my first choice had proven to be very appropriate and the Elvis Presley classic "Teddy Bear" was given a brand new treatment. A couple of dance numbers such as "Down To The Party" and "Dong Dikki Dikki Dong" were also included.
When the album was released, the public response was mixed because some of the fans were not used to the "new" Trafcy sound, but for me there were no regrets for the change of music direction. With Tracy's superstar status, her music needed to change withtime, and she totally agreed.
"Second Sight" might not be as accessible as her previous album but it had displayed her versatility as an artiste plus the fact that the album was of great production quality, thanks to the great musicians who contributed and excellent engineers!
With the reissue in CD now, it brings back the memories of how we took that bold step in the 80's and we can still claim pride for the daring step
Eric Yeo
Producer
Produced by Eric Yeo
Engineered by Johnny Herbert and Eddie Seet
Re-mixed by Johnny Herbert
Arranged by Robert Beckinsale
Studio: The Lion Studio Singapore
Handtinting by Jurong Design Centre
Tracy's Outfit: lssey Miyake Shop(Singapore)
Hairstyle: Casey
Photopraghy:Chuang Lee Jen
Musicians:
Keyboards: Spencer Chan
Guitars: Robert BEckinsale/Eddie Marzuki
Bass: Ramli Shariff
Drums: Tony Zee
Percussion: Osman Ibrahim
Strings:Willy Ong String Group
Universal Music Singapore
Re-issue project
Project co-ordination by
Lim Teck Kheng and Linda Na for Universal Music Pte Ltd.
www.getmusic.com.sg
Artwork by Fresh Produce Private Limited.
This project would not have been possible without the
kind assistance of Eric Yeo, Dr Christian Chia and Luis Goh.
The re-issue has been reproduced to be as faithful to the
original LP as possible from artwork to the music re-mastering.
